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[Holy Shroud of Turin]Il vero ritratto del Santissimo Sudario del nostro salvatore Giesu Christo. Reliquia santissima et gran thesoro della serenissima casa di Savoia, c. 1578-1604. Torino, a instanza di Bernardino Silva.Rare and dramatic image of the Holy Shroud of Turin with explanatory text.
Fine and vivid print depicting the Holy Shroud or Shroud of Turin, the image is composed of several woodcuts in black ink, with the image of the Shroud in red ink; this is apparently the only known copy, state unknown. The image conveys a sentiment of veneration towards the relic, which is accompanied by an oration, and small portraits of the Savoy family to whom it belonged.
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Evans, JohnA front view of the Temple of Solomon, with its Holy Vessels also Tabernacle of Moses with its appurtenances taken from the modell erected at Hamborough at the Expence of the Learned and Judicious Councellor Schott, and lately brought into England & shown, 1798. London. Evans.English large 18th century engraving showing of the "Hamburg Temple Model"
Striking example of English 18th century print making, this is John Evan's edition of Gerhard Schott's remarkable three-dimensional model of Solomon's Temple, which has come to be known as the Hamburg Temple Model.
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[Illuminated leaf]A giant choirbook leaf with decorated borders, c. 1510. Spain, Castile.Stunning illuminated Spanish giant choirbook leaf
This is an astonishing Spanish illuminated leaf, both for decoration and scale, with the four borders finely illuminated, the border is black-ruled on the outside and gold framed on the inside, the background is deep blue with gold and green foliage with white, pink and flowers and strawberries and a butterfly, playing among the foliage fronds are three putti: one holds a club and a shield and is holding a mock-battle with a flightless bird; three large miniatures of angels with multi-coloured wings are shown kneeling on grass holding up the burial cloth of Christ showing the blood of the Five Wounds, each with the inscription "miserere mei”, the backgrounds of the miniatures deep blue with liquid gold penwork. Within the text is a large and elegant initial ‘G’. -
Requena y Herrera, FranciscoA collection of five watercolour drawings from the Luso-Hispanic Border Commission in the Amazon Basin, drawn by its Spanish commanding officer: Parte del camino de tierra de Quito al R. Napo (Lamina I); Vista de la Poblacion y Fortaleza de S. Fran[is]co , [c.1788]. [Ega (i.e. Tefé, Brazil)].Art and Evidence: Unique 18th-Century Watercolors of the Deepest Amazon by the Boundary Commissioner in charge of the Spanish Survey party: Drama and Adversity in the Luso-Hispanic Borderlands of Colonial South America
A collection of five stunning and previously unknown watercolors illustrating dramatic scenes from the joint Spanish-Portuguese boundary commission sent to demarcate the frontiers of the Amazon following the 1777 Treaty of San Ildefonso between Portugal and Spain. -
[Early woodcut, Saint Hieronymus (347 - 420)]Gebet zu S. Hieronymus: O Säliger und hoher Lehrer Hieronymus, S.a. [circa 1498]. [Augsburg]. [Johann Froschauer].Fascinating German woodcut with explanatory text from the 15th century
Laid paper, without or with indistinct watermark, a good impression of this extremely rare woodcut, printing strongly and clearly, with contemporary hand-colouring in green, ochre, brown and red, with the prayer in German ‘O Säliger und hoher lerer Jheronyme’ in letterpress below, with margins on all sides. Lightly wormed, lower right corner torn and repaired with loss of some words in the last two lines, browned, lightly soiled, evidence of glue on verso. -
Straet, Jan van Straet (illustrator); Galle Philip (engraver)Passio, Mors et Resurrectio dn Nostri Jesu Christi, [1584-87]. S.l. [Antwerp].An artist’s intervention - Six exceptionally colored engravings by Stradanus
Six rare and exceptionally colored engravings, contemporaneously hand-coloured with lavish use of gold, perhaps for the Medici circle, where Stradanus was the court artist. -
[Spanish military forces drawing] [Charles III (1716-1788), King of Spain]'Real plan del exercito de S. M. Co. Carlos Tercero en l'año de M.DCC.LXVIII [Manuscript schema of the armed forces of Charles III], 1768. Madrid.Remarkable depiction of the Spanish Armed Forces under Charles III
A unique and attractive watercolor broadside depiction of the military and maritime armed forces of Spain in full pomp and splendor, representing the sweeping changes introduced under the wise leadership of Charles III of Spain, a reforming ruler, produce of the Spanish Enlightenment, and partially due to the defeat in Havana in 1762.
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Payne, JohnThe true portraicture of His Ma[jes]ties. royall ship the Soveraigne of the Seas built in the yeare 1637, S.a. [ca. 1637/38]. [London]. Peter Pett.Striking English engraving of the 17th century warship the “Sovereign of the Seas”, the largest English print of the first half of the century
Huge and truly magnificent English engraving of the first half of the 17th century, “by far the largest English engraving to survive from the first half of the century (five other impressions are known)” (British Museum comment of the curator). -
Shippard, Captain William HenryMexican Antiquities, Captain William Henry Shippard’s collection of Mexican Paintings: art and images of Pre-Columbian Mexico; printed prospectuses for the Museum of Mankind in London, and original letters], S.a., ca. 1834 – 1845. London.Extensive Group of Drawings of Pre-Columbian Mexican Imagery
Created by a British Collector, Lecturer, Museologist, 1830s-1840s
A Friend of George Catlin
A remarkable collection of ca. 1830-40’s pen and ink drawings, most with vibrant hand coloring, depicting the art and imagery of Pre-Columbian Mexico, created and assembled by Capt. William Henry Shippard, an interesting but little-researched figure active in early 19th century British collecting circles. At the time when Shippard amassed the present group of Mesoamerican visual material, he was focused on an intriguing museum project: the Museum of Mankind in London. While Shippard's plans for a museum came to nought, he remained an avid collector of Pre-Columbian Mexican visual material throughout the 1840s and occasionally lectured on the subject in London using items from his collection as visual aids.
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[Art] [English drawings] [Merswin, Rulman]A Representation of the Nine Rocks, S.a. [second half of the 18th century?]. [England].Exceptional set of English watercolors representing the ´Nine Rocks´
A fabulous series of 18th century English watercolours illustrating the Neunfelsenbuch, or ´Nine Rocks´, by the German 14th century mystic, this set represents a very rare show of English 18th century art. They are a highly decorative set of images representing the stages of progress towards religious perfection. -
[Roman marble funerary plaque]A Roman marble funerary plaque inscribed for the freedwoman Quirinia Felicula, Rome, 1st half of 1st century CE.To the memory of a formerly enslaved woman, freed by her mistress
A tablet of marble engraved with five lines within a double-rule border, commemorating the dedication of a funerary urn to Quirina Felicula, who had been born a slave and was freed by her mistress. The plaque reads, in full: "Quiriniae [mulieris] l[ibertae] / Feliclae / ollam dat / C[aius] Valerius / Pylodamus", that is to say: "Gaius Valerius Pylodamus (= Philodamus?) dedicated this burial urn for the freedwoman Quirinia Felicla (= Felicula)". -
Goltzius, HendrickThe engraved Passion of Christ, the complete set of twelve, signed and dated on the plate, first state of two before De Wit's address, 1596-98. Haarlem.Goltzius' wonderful Passion of Christ, the complete suite
Goltzius' wonderful and visually striking complete suite of engravings representing the Passion of Christ, inspired and etched in the manner of Lucas van Leyden.
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Wadstrom, Carl BernardPlan and Sections of a Slave Ship. Description of a Slave Ship, 1794-95. London. Harvey and Darton for Wadstrom.“Plan and Sections of a Slave Ship”, this issue added with the ‘Representation of an Insurrection on board A Slave Ship’
One of the most powerful broadsides in Anglo-American history, exceedingly influential, exploiting both text and image to demonstrate the barbarity of the trans-Atlantic slave trade.