Hulsen, Esaias van
Aigentliche wahrhaffte Delineatio[n] unnd Abbildung aller Fürstlichen Auffzüg und Rütterspilen. Bey deß [...] Herren Johann Friderichen Hertzogen zu Württemberg [...] Sohns Hertzog Ulrichen [...] Kindtauff: und dann bey [...] Herren Ludwigen Friderichen H, 1618. Stuttgart. Esaias von Hulsen.
Graphically outstanding Württemberg Festbuch: author's copy.
Graphically outstanding and highly rare Festbuch, a superb example of early Baroque festival books: the monumental pictorial record of the Württemberg court celebrations for the baptism of Prince Ulrich, son of Duke John Frederick of Württemberg (1582-1628), and the wedding festivities for his brother Louis Frederick with Magdalena Elizabeth of Hesse. The double occasion, celebrated in Stuttgart over five days in July 1617, was elaborately staged with a ceremonial pageant, tournament, and splendid allegorical display. Guests of honour include Princess Elizabeth of England and her husband Friedrich, Elector of the Palatine. This was the last Württemberg court festival before the outbreak of the Thirty Years' War.
Graphically outstanding and highly rare Festbuch, a superb example of early Baroque festival books: the monumental pictorial record of the Württemberg court celebrations for the baptism of Prince Ulrich, son of Duke John Frederick of Württemberg (1582-1628), and the wedding festivities for his brother Louis Frederick with Magdalena Elizabeth of Hesse. The double occasion, celebrated in Stuttgart over five days in July 1617, was elaborately staged with a ceremonial pageant, tournament, and splendid allegorical display. Guests of honour include Princess Elizabeth of England and her husband Friedrich, Elector of the Palatine. This was the last Württemberg court festival before the outbreak of the Thirty Years' War.
$ 28,000.00
Further images
-
(View a larger image of thumbnail 1
)
-
(View a larger image of thumbnail 2
)
-
(View a larger image of thumbnail 3
)
-
(View a larger image of thumbnail 4
)
-
(View a larger image of thumbnail 5
)
-
(View a larger image of thumbnail 6
)
-
(View a larger image of thumbnail 7
)
-
(View a larger image of thumbnail 8
)
-
(View a larger image of thumbnail 9
)
Oblong folio, (370 x 270 mm). Engraved title-page, 1 p. of letterpress dedication, 92 engraved plates (including 13 half-titles), some with tipped-in overslips, one oversized and folded in.[Bound with:] Weckherlin, Georg Rodolf. Kurtze Beschreibung, deß zu Stutgarten, beyden Fürstlichen Kindtauf und Hochzeit, jüngst gehaltenen Frewden-Fests [...]. Tübingen,Dietrich Werlin, 1618. (2), 4, (2), 5-71, (1) pp. With woodcut arms to title-page. Near-contemporary blind-stamped calf, rebacked with prettily gilt elephant crest in each of six compartments; edges sprinkled red. Minimal water-staining here and there, and some occasional light browning, an excellent copy, clean and with wide margins.
The drawings for the procession plates are attributed to the Dutch-born artist Esaias van Hulsen. Several of the engravings are signed by Friedrich Brentel of Strasbourg and Matthias Merian, but Hulsen probably also participated in the engraving. Nine engraved paper hearts are tipped in over figures on several plates, six bearing eyes and ears to symbolize Love and Knowledge; the other three are crowned and engraved with smaller hearts, the central one clasped by two hands.
Werckherlin's appended work supplies the textual programme: an explanatory framework of the rules, protocol, and meaning of the entertainments, also of linguistic value for including transcripts of poems and speeches, frequently in broad Swabian dialect.
Produced on the eve of the Thirty Years' War, the volume stands as one of the defining survivals of a confident Protestant court culture in south-west Germany, and among the most visually persuasive celebrations of dynastic continuity in the German Baroque.
Provenance: the personal copy of the contributor Rudolf Weckherlin (1584-1653) with his handwritten ownership to the title-page of the first work. The spine bears the elephant device used by the Swabian counts of Helfenstein and their possessions.
VD 17, 23:251730Q; 23:251744B. Graesse III, 388; VI, 427. Lipperheide Sbd 6-7. Ruggieri 957. Wüthrich, Merian I, pp. 47f. Thieme/B, XVIII, 114. Vinet 740. Rahn 6-63. Hollstein IX (1953), 155, 2-93.
The drawings for the procession plates are attributed to the Dutch-born artist Esaias van Hulsen. Several of the engravings are signed by Friedrich Brentel of Strasbourg and Matthias Merian, but Hulsen probably also participated in the engraving. Nine engraved paper hearts are tipped in over figures on several plates, six bearing eyes and ears to symbolize Love and Knowledge; the other three are crowned and engraved with smaller hearts, the central one clasped by two hands.
Werckherlin's appended work supplies the textual programme: an explanatory framework of the rules, protocol, and meaning of the entertainments, also of linguistic value for including transcripts of poems and speeches, frequently in broad Swabian dialect.
Produced on the eve of the Thirty Years' War, the volume stands as one of the defining survivals of a confident Protestant court culture in south-west Germany, and among the most visually persuasive celebrations of dynastic continuity in the German Baroque.
Provenance: the personal copy of the contributor Rudolf Weckherlin (1584-1653) with his handwritten ownership to the title-page of the first work. The spine bears the elephant device used by the Swabian counts of Helfenstein and their possessions.
VD 17, 23:251730Q; 23:251744B. Graesse III, 388; VI, 427. Lipperheide Sbd 6-7. Ruggieri 957. Wüthrich, Merian I, pp. 47f. Thieme/B, XVIII, 114. Vinet 740. Rahn 6-63. Hollstein IX (1953), 155, 2-93.
10
of
10
Join our mailing list
* denotes required fields
We will process the personal data you have supplied to communicate with you in accordance with our Privacy Policy. You can unsubscribe or change your preferences at any time by clicking the link in our emails.
