Oblong folio (245 x 380 mm). 57 ff., 50 full-page pen and ink drawings of imaginary cities and their armies, facing emblematic cartouches each containing an octave describing the opposite city, some with Latin mottos; dedication in ornamental border; allegorical cartouche with octave praising Venice on the verso. Contemporary red morocco with Doge of Venice supralibros arms in the centre of back board, with gilt triple fillets enclosing large oval centerpiece composed of double fillets in arabesque patterns with armorial shield, edges gilt, housed in custom-made half morocco case. Some light soiling and spotting, early marginal repairs where ink has corroded the paper; traces of paste on first two leaves with loss to a few letters, otherwise in excellent condition and still in its richly gilt morocco binding commissioned for the Doge of Venice, slightly rubbed.

Italian art historian Lionello Puppi has cautiously suggested that "Vericcius" may be a pseudonym of Fillipo Pigafetta, a Venetian soldier and mathematician who wrote extensively on military fortifications. In this album, Vericci illustrates and whimsically describes fifty imaginary cities whose designs are based on the utopian mathematical ideals of the Renaissance star fort. The cities, with names like "Mirabella", "Grimanopoli", and "Durissima", are situated in elaborate landscapes (almost all are island fortresses, like their model) and are rendered in exquisite detail. The octave opposite each illustration describes the strengths and virtues of each fantastical fortress in the vein of Italo Calvino's novel "Invisible Cities" - which also featured a litany of imaginary towns all reflective of La Serenissima herself. The last illustration but one depicts the 1571 Battle of Lepanto, a major naval victory by the Holy League over the Ottomans. The Palmanova fortress was dedicated exactly 22 years, to the day, after the battle - thus its inclusion here links the glory of Lepanto explicitly to the achievements of Doge Grimani, in addition to re-situating this imaginative work in its real-life context of simmering conflict not just between Europe and the Turks, but also between Venice and Austria - her enemy to the North.

Manfredo Tafuri, Venice and the Renaissance (Boston: MIT Press, 1995). Lionello Puppi, Scrittori vicentini d'architettura del secolo XVI (Venice: Accademia Olimpica, 1973).